Rap records, cut by editors who only cut rap.

It runs the creator side of a campaign for you. Not one polished film. A batch of native videos from real creators, posted on their own pages in their own voice, which is the only format a scrolling audience does not immediately clock as advertising and thumb past.

We handle the sourcing, the brief, the edit standard and the posting order, then report what each clip actually did. The point is spread. Ten angles on one record will outperform one expensive film that either works or does not, because you find out which angle landed instead of guessing about it afterwards.

A music clipping campaign takes one record, a video or a live set, cuts the hooks, posts the clips on creator accounts, and reports verified views. Every clip is tied to the official sound.

Views are not the same as streams. Clips are cut and posted so the official sound is in the frame. Saves and streams are reported when we can see them. We do not promise a Spotify number.

It is a custom CPM. A set price per 1,000 verified views, scoped per campaign rather than read off a rate card, which is why we ask about the record before quoting anything. Two things move it: how many approved clips you want, and how wide we seed across the roster.

There is no retainer lock and no long contract. Send the record and the goal, and you get a quote back with the deliverable count written down.

Briefing and creator matching come first, then clips land in waves rather than all at once. You see early cuts while there is still time to steer tone, before the bulk of the roster posts.

Give us the release date up front. We build the seeding schedule backwards from it, so the first wave is already live and pooling creations by the time the record actually drops.

You own the campaign output. Every creator signs a licence before they post, so anything you approve is cleared for your own channels.

Paid usage is separate: running a clip as an ad, whitelisting it, or using it past the campaign window is agreed and priced up front, because that is what the creator is licensing to you. Nothing gets used beyond what is written down.

You reject it. You do not pay for it. Approval is per clip, so nothing counts toward your deliverables until you have signed that specific clip off, which also means a weak batch cannot quietly eat the budget.

If the problem is direction rather than execution, we re-brief and the creator reshoots. If a whole angle is not landing, we drop it and move those slots to the ones that are.

A marketplace hands you a list. Then the work is yours: briefing, chasing, reviewing, rejecting, scheduling, and doing all of it again next week when half those creators have gone quiet. An agency does that work and carries the result.

If you have an in-house team with time to run creators, a marketplace is cheaper. If you want clips landing on a schedule without managing twenty people, that is the job we do.

Yes. Ad variants get briefed differently to organic clips: a harder hook in the first second, a clearer artist or product moment, and a cut that still reads with the sound off.

Tell us up front that clips are going into paid. It changes both the brief and the usage licence we take from the creator.